Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Nope (2022)

Screencaps from fancaps.net

When I was in high school, I used my local library system to watch movies that I missed out on. I found things like Sin City and the entire Indiana Jones collection. It was a way for me to learn about these movies in American culture that I never really got to see myself. My friends would talk about these movies and I wanted to know what they were talking about. I cultivated my taste for movies and explored the kinds of genres that I liked. In college, I did work-study at the library and I went to town. Every week I tried to pick a new movie for myself. I wanted to expose myself to classics like Akira Kurosawa's Samurai Seven and Alfred Hitchcock's Rear Window, and here was an easy way I could do it!

I have kids now and it's not so easy to do this regularly anymore. But still I try, and I'm really happy with the last movie I borrowed. I already knew I liked the team of Get Out (2017), so I knew I was going to try Nope (2022). I didn't expect to like it this much, and honestly there's so much content in the world that it's hard to slow down to talk about one thing, before moving on to the next. I'm purposely slowing down so I can talk about it.

https://filmstudies.princeton.edu/event/uchv-film-forum-jordan-peeles-nope-2022-2/

The last time I felt this way about a movie, was probably Prey (2022) or Arrival. And if I really wanted to go back in time, The Fly. There's really a lot that the story is addressing, and it's up to you what you want to tackle. I really like Nope (2022) and if you like any of those other movies that I mentioned, you might like it too.

Spoilers follow for the rest of this post. If you think you'll like it, you will. So just go watch it and come back. You'll thank me later.

=================Last Warning=================

Nope is a Neo-Western sci-fi horror film, and I'm so happy that I got to type those words out. It really sneaks up on you, and 30 minutes into the movie I was still wondering just what exactly I was getting myself into.
  • What makes it a Neo-Western? It's about one poor family that's down on their luck, and their need to dig and strike gold. It's told in modern times so it's about their attempt to go viral and cash in on the mysterious UFO (UAP?) in their neighborhood before everyone else finds out.
  • What makes it sci-fi? There's a UFO.
  • What makes it horror? The mysterious UFO is more than it seems.

The movie starts with Otis Senior, a horse rancher and his son talking about their horses. Abruptly, a shower of debris falls from the sky and a falling quarter kills Otis Sr. His son, Otis Jr holds on to the quarter and we pick up 6 months later. Otis Sr and Otis Jr are the descendants of the Haywoods, the name of the jockey that appeared in the very first motion picture, Plate 626 from Animal Locomotion. In reality, this jockey was never actually credited, so we'll never know his name, but most jockeys at the time were Black, so this is a small creative liberty taken to highlight the truth of the exclusion of black contribution to American entertainment. It doesn't make things better that the UFO harasses the one black-owned farm in town either, but that's the movie. If you ask me, the primary theme of the film is not race, but rather spectacle, and they tell it to you upfront with the opening quote from the Bible:
“I will cast abominable filth upon you, make you vile, and make you a spectacle” (Nahum 3:6)
The rest of the film is given to you as a way to make sense of that quote. The character of Jupe is a great example. He was a child actor on a 90s sitcom that employed trained chimpanzees as actors. There was a horrific incident one episode where a balloon popped and the chimpanzee went ballistic on the entire cast. Only Jupe survived the incident unscathed, with the others either killed or seriously mauled. However Jupe internalizes it, he's turned it into a business of sorts -- he holds the sitcom memorabilia in a secret room in his office and sells admission to it in his amusement park, "Jupiter's Claim," a Western-themed park. The show exploited an animal for spectacle, and the animal went awry. Since then, it has a devoted fanbase of people who will pay just to see that secret room, and now it's Jupe who's exploiting that spectacle. People just can't take their eyes away.


Because he survived the incident with Gordy, or despite it, he attempts to monetize the UFO. He turns it into a show in his amusement park, and as if to scoff at him, the UFO arrives earlier than he anticipated and shows him what it thinks. It consumes him and the entire audience. For misinterpreting their relationship, Jupe was punished. He misunderstood the animal and didn't give it the respect it deserved. This is in direct contrast to OJ, who quietly observes the UFO, keeps his distance and respects its rules of engagement. Like you don't look a horse in the eye, you don't look this thing in the eye. You can't engage it as a spectacle.


I love these amorphous shots of what you later find out to be the innards of the UFO. Initially, all you see is darkness, with corridors of light and unsettling sounds of pulsating, and later screaming. Most of all, the horror is the unknown. These shots were worth every second.

The Jupiter's Claim incident goes on the news and it becomes more urgent for OJ and his sister to film the UFO and, in a sense, avenge their father, before other people come to town to try to capture the UFO. They set up an elaborate plan with a Geek Squad UFO enthusiast and a filmmaker auteur.

They use what they know about the UFO -- the fact that it interferes with electromagnetic waves in its area, the fact that it gets indigestion from a specific thing, and they set a hilarious stage for the beast.


They save all the action for here, and it's great. It becomes a man vs. animal scene where the only thing man is trying to do, is survive and get the animal on non-electronic film.

There's a mood to the movie, an atmosphere that gives you this sense of dread. Initially, we don't really know what's going on with this giant UFO, only that it spooks the horses and sometimes you can hear screaming when it's nearby. The movie works really well at this feeling of suspense, climaxing in this amazing scene at an attempt to capture the UFO on film. The UFO reveals its true form, and I love the design here. 





When OJ does look it in the eyes, he's trying to save his sister and distract it. As if challenged, the monster inflates itself and reveals its ribboned mouth. It's haunting. It's beautiful. Later, when it sees a hot air balloon, it unfurls those ribbons and shrieks, as if to intimidate the air balloon. It's such a cool take on what a UFO could be.

OJ buys enough time for his sister to get a "final shot," and the film is realized with this final shot: OJ the lone man riding on his horse, still standing as the dust settles.


It's a great shot. It's a victorious shot, and it's a Western shot. He survived and now this time he gets to be the one to tell the story. He and his sister are the ones with the unique footage and they get to reclaim the story that was taken from their ancestors.

Follow chezkevin on rss | twitter

Captain America: The First Avenger

Today's post is reblogged from our sister site, airhikec001.livejournal.com. This has been post-dated to coincide with the post date of the original, which was August 16th, 2011. - Kevin, January 31st, 2012

Last week I got a Super-Soldier Swirl Ice cream cone. The week before that I got a Captain Coollatta from Baskin-Robbins. The week before that, I got a parachuting Captain America action figure.

So yeah. You can probably say I was a little hyped up about Captain America: The First Avenger.



The film bookends Marvel Studios' summer blockbusters, following Thor and X-Men: First Class. I got a chance to see the film with my friend over the weekend, so here are some of my thoughts.

Of all the avengers, Captain America is unique in that he's rooted in WWII-era America. The film follows Steve Rogers from a puny Brooklyn kid with moxy, to the Sentinel of Liberty, Captain America. The first half is a charming period piece, showing off sturdy Model T's and anti-Axis propaganda. The second half shifts to the theme of war, and doesn't quite succeed.

Tommy Lee Jones plays the recruiting officer great, and his acting is the best among the cast. It's amazing that the pre-Super-Solder-Serum Chris Evans is actually CG, because it looked so real. The film doesn't rely on special effects and it doesn't need to. The stunts stand out as the best for me - it's a huge rush to see Cap zipline down to hijack Dr. Zola's freight train - although some explosions and other theatrics were unnecessary and weigh the film down. Another flaw is the need to make Steve a performer for the troops. The U.S. Army has this big buff dude with enhanced athleticism, and they're gonna make him sing and dance? Besides that, the biggest complaint I have is the villain.

Hugo Weaving, the 21st century's bad guy (Agent Smith from The Matrix trilogy and Megatron from the Michael Bay Transformers flicks) chimes in as Red Skull. He discovers what I assume is the Cosmic Cube (it's never named), and uses it to make crazy lasers that vaporize people and their nutty faces. He leads HYDRA, a subdivision of the Nazis and makes the decision to "no longer stand in the shadow of Hitler," in order to capture Berlin and - the world! - but I failed to get a sense of that. All we see is him shooting down his comrades! Zero conquering -- not even a cartoon map of Herr Skull conquering Europe, country by country.

Anybody who keeps up with the Marvel universe will enjoy the tidbits in there. Bucky Barnes, Happy Hogan and Sharon Carter get their fifteen seconds, for example. Stan the Man also makes a cameo, despite not having created the character (that would go to Joe Simon and Jack Kirby), and Howard Stark plays a pivotal role in war technology. If you didn't get your Marvel fix from First Class, you can certainly get it here.

In sum, The First Avenger isn't a bad movie, but it's not a great one either. It'll tickle the comic book geek as well as the WWII geek in you, but it won't get more than a holler.

A movie with Marvel's merry mutants!

Today's post is reblogged from our sister site, airhikec001.livejournal.com. This has been post-dated to coincide with the post date of the original, which was July 12th, 2011. - Kevin, January 31st, 2012



X-Men: First Class is Marvel's latest full-length feature film, hot on the heels of The Mighty Thor. Lemme tell you right now, it is one first class film. It's x-cellent! It is the blockbuster film to beat this summer. Words could not do the film the proper justice, but I'll try. For you. For America.

The title refers to the very first band of mutants - children of the atom! - recruited by a young Charles Xavier. Believing that peace and cooperation are the key to a better world, he is recruited by the American government. for his professorship in mutation and genetics. This being the swingin' sixties and the Cold War, Xavier has to stop former Nazi and current mutant, Sebastian Shaw, from engineering a WWIII (read: World War tres) in which mutants are the victor. This is where Erik Lensherr, a young Magneto comes in. As a child, Erik was tortured by Sebastian Shaw, the genetics director of Erik's concentration camp, to unlock his magnetic powers. Erik plays the part of an international secret agent, travelling from France to South America, climbing up the ladder of former Nazis to find Shaw and avenge his family.

So while we have the major conflict of good mutants vs. bad, we also have this conflict of ideologies between Erik and Charles.  And it's a juicy one.

The film is a hit from beginning to end. I've only described the bones of 3 characters, but everyone has their own story. Hank McCoy learns what it means to be a beast, and Mystique finds a shift in her ideals. It's amazing how so many characters feel real in the duration of the film. I could definitely see a sequel. First Class holds a rich cast with a pulse-pounding plot that leaves you thinking at the end.

Truly, the movie theatre has never been more exciting than in this -- the Marvel Age of blockbusters!

The comic book perspective: So that's it for the review proper. Herein I'll comment on how some characters translated to the film. This part's unnecessary to understand the film, but, if you wanna brush up on your X-lore, you might gain some insight.

-There's an actual Marvel comic series titled "X-Men: First Class" by Jeff Parker et al. He's from Portland, Ore. In no way is the film based on that.

-Rose Byrne is a cutie as FBI agent Moira McTaggert! I'm very attracted to her straight, smooth hair. In the comics, she was a genetics scientist and former flame of Xavier. In the film, she has awesome hair!

-"First Class" could also be referring to the very first appearance of the X-Men from Stan Lee and Jack Kirby. That's extremely unlikely though, 'cause those comics featured a bald, paraplegic Professor X with 6 mutants: Cyclops, Jean Grey, Havok, Angel, Beast and Iceman. 90-or-so issues through, the comic was making terrible numbers, so Stan decided to cancel it. By the time he finished the last issue, 93, the numbers were way up! But it was too late.

-The "Angel" of the film doesn't make any sense at all. We all know Angel is Warren Worthington, from the first generation of mutants (given a film incarnation in X3: The Last Stand). The girl with the fairy wings refers most closely to a current generation X-kid called Pixie.

-First Class, the film, draws on no specific storyarc, but draws the most from the writer who followed Stan the Man, Chris Claremont. He pioneered the way for modern X-comics, introducing a bunch of characters including Storm, Colossus, the Hellfire Club (featuring the Black King, Sebastian Shaw and the White Queen, Emma Frost), and Dark Phoenix.

-January Jones is a BOMBSHELL as Emma Frost.

-Some of Claremont's best stuff is collected in Essential X-Men Vol. 1 and 2. 2 is the Dark Phoenix saga.
Favorite scenes: Herein I recount my favorite scenes. There are spoilers. Deal with it.

-In a South American bar, Erik makes some small chat. . . before straight up murdering the bartender and the two barflies, former Nazis who were "following orders." It's a great scene, and it helps you begin to understand Erik's single-minded ardor for revenge.

-Previously fueled by pain and rage, Erik becomes powerful enough to turn a satellite yards away, only when Xavier unlocks a touching memory of his mother. The memory was suppressed by years of pain from Shaw, but in this one moment of time, the pain went away.

-Sebastian Shaw's whole mutant deal is that he absorbs energy, so if you toss a nuke at him, he'll just absorb the kinetic energy and metabolize it. . . somehow. In the final confrontation, Charles telepathically freezes Shaw in order to detain him, but Erik, in pursuit of revenge, takes a German quarter and, ever so slowly, pushes it to Shaw's forehead through his brain and out the other end. The camera juxtaposes a silent, incapacitated Shaw with an agonized, screaming Xavier. Xavier feels the pain that Erik meant for Shaw, and it is the pain of a friend cutting the ties that bond them.

-EVERY SCENE WITH MAGNETO. THIS DUDE ROCKS. I really think that First Class is a Magneto origins story. Sure, there are other people, but he is the main story. The story begins with his conflict and ends with the resolution of his conflict. Sure, Xavier is crippled and gets that wheelchair, but it's trivial compared to the emotional journey that Erik undergoes.

If you didn't get it by now, First Class rocks. It's a great movie and a superb comic book movie. I love it.

In brightest day, in blackest night, no comic book movie shall escape my sight!

Today's post is reblogged from our sister site, airhikec001.livejournal.com. This has been post-dated to coincide with the post date of the original, which was June 30th, 2011. - Kevin, January 31st, 2012



Green Lantern was a much-heralded comic book movie for the summer, and DC's only response to Marvel's 4 or so blockbusters. I was totally hyped when San Diego Comic-Con premiered this trailer, and I was rooting for it. A lot of money was on Ryan Reynolds and Blake Lively to pull off the Emerald Avenger, and in my opinion, it didn't work.

Ryan Reynolds was supposed to be great as Hal Jordan. Unfortunately, he comes off as a guy who receives a great gift without having done anything to deserve it. He refuses the responsibility that comes with it, then has an odd change of heart that is barely developed -- then he somehow saves the day, and gets the girl. It's standard super hero fare that has little depth to it.

What makes it unique is the special effects. When Hal Jordan receives the ring, he's coated in a green sheen, as are all the corps on Oa, the planet that houses the Green Lanterns of every sector of the universe. Parallax serves as a mindless villain, as well as scientist Hector Hammond. Hector is a bit more carefully crafted; he's played up as a foil to Hal, both of whom had a difficult father-son relationship, except Hector's has more flesh to it.

All in all, I am disappointed with the Green Lantern movie. The comic books have been doing incredibly, and the movie did not meet that standard. Sinestro was the one character who felt real to me, because he was persistent in tracking Parallax, while Hal meandered his way to defeating a galactic threat and getting the girl. I think the movie could have been improved by putting a new emphasis on the Green Lantern Corps., not the one actor of Hal Jordan, but then again, I'm just a fan, not a director =/.

By Odin's Mangy Beard, it's -- A Summer of Comics!

Today's post is reblogged from our sister site, airhikec001.livejournal.com. This has been post-dated to coincide with the post date of the original, which was June 27th, 2011. - Kevin, January 31st, 2012

Hah! It's been too long since we chatted, LJ. Birthdays have gone by; weddings even -- funerals! So I'm taking the initiative and hitting you up again. We'll do some catching up on our lives and everything, but I want to start the summer off right, and that's with a bang!



It is the comic book nerd's summer as movies are released like rapid-fire for the sequential art books. The first one I'll do is -- The Mighty Thor! I watched the film in cinematic 2D and I had a blast. It's a great movie, but well, I'm a comic book fan, and it isn't a great comic book movie. What I mean by that is, it doesn't make me wanna read any more Thor comics.

The story gives some background on the colorful kingdom of Asgard, and then kicks it off as Odin sends his arrogant son, Thor, to Earth to learn some humility. Hilarity ensues when Thor awakes as a fish out of water. Natalie Portman plays Jane Foster, an astrophysicist who discovers Thor with her quirky assistant. Over the course of the film, Thor adjusts to Earth as Donald Blake and, in a rushed but believable ending, learns humility. Loki is played realistically and sympathetically as the "villain" of the story. You get the sense that, even when he disrupts all order in Asgard, Loki is still trying to garner the love of his father.

As one of Marvel's True Believers, I loved the Easter eggs in the film. Keen viewers will catch Stan Lee, as well as a Hawkeye cameo. The Destroyer Armor also appears as an enemy and a crucial part of Thor lore. There's a great scene after the credits, but, aherm, you didn't hear that from me.

It isn't overburdened by the cg, and there's a great balance between Asgard scenes and Midgard scenes. Humor comes off great, and there's plenty of explosions. If you're looking for a popcorn flick, look no further. I don't think it'll get you into the comics, but it'll sure give you the key facts.

NEXT: In Brightest Day! In Blackest Night! No evil shall escape his sight!
Beware his power, Green Lantern's light!
Related Posts Plugin for WordPress, Blogger...

Stats a-go-go