Showing posts with label Daredevil. Show all posts
Showing posts with label Daredevil. Show all posts

Daredevil: Back in Black Vols. 7 and 8

Daredevil: Back in Black Vol. 7 -- Mayor Murdock
by Charles Soule, Mike Henderson

Previously, Mayor Wilson Fisk was shot with a bunch of arrows, making Matt Murdock, the Deputy Mayor, the next in command. This is what happened next: Matt Murdock reverses a few of his predecessor's legislation, particularly the one criminalizing vigilante superheroism, and enlists the help of his fellow superheroes to defeat the Beast and his ninja army, the Hand. Aside from a little hokey twist from Matt's priest, it's a rote superhero story: bad guy takes over city. good guy meets bad guy. Good guy beats bad guy. Done.

Artist Mike Henderson gets a chance to shine in this trade-sized collection. He has a Rob Guillory-esque sense of cartooning that makes light of a lot of the drama happening around them. It isn't widely dissonant with the story but doesn't exactly do it any favors too. there's a great panel of Hammerhead that juxtaposes the absurdity of the situation, with the creepiness of enlisting a criminal.

It's an entertaining read, but the action and the plot just happens so broadly and quickly, that the lack of an emotional core amounts to a story that's little more than a boy playing with his action figures. Dramatic motions ensue, and then they're retracted a few pages later. Kind of like how a cliffhanger is immediately resolved on the first page of the next issue. The problem is that it lacks weight if this is all you're going to do.

The hook for the next story is this: the Kingpin recovers from his encounter with the Hand, and reassumes the Mayoral office, while accidentally slipping that the vote was indeed -gasp!- fixed. West Wing-style drama ensues in Hell's Kitchen.

Daredevil: Back in Black Vol. 8 - Death of Daredevil
by Charles Soule, Phil Noto

Two storyarcs wrap up this final collection of Charles Soule's run of Daredevil. Issues 606-608 comprise of the "return" of Matt Murdock's fake twin, Mike Murdock, and issues 609-612 are "The Death of Daredevil." They're both umbrella'd by Matt's efforts to uncover the truth about how the Kingpin rigged the election that put him in the Mayor's office. We get to meet Cypher, a mutant who can understand any language in the world, along with "Reader," a blind man who has the ability to turn the first three things he reads in a day, into reality...and his seeing-eye corgi!

It's a fun return to form for Daredevil that reminds us of the emotional core of the series. From his gathering of this motley crue of vigilantes, to a page of how in New York City, you get things done because you "know a guy," Matt Murdock is a man that never gives up for the love of his city. 

Phil Noto kills it on every page, using his photorealistic style to show off a double-page spread of the mundane with the fantastic: heroes gathering in a courtroom to testify against the Kingpin, along with dreamy intimate sequences of Matt hooking up with his former lover Elektra.


I won't spoil it for you, but the title already tells you everything: "The Death of Daredevil." Near the end, there's a brilliant use of the black page that conveys to you what's happening. For the entire collection, I was reading about Daredevil fighting an army of villains. He gets slashed, he gets shot, he gets beat up. He gets hit by a truck. But none of those compared to me just reading a page of black. For the first time in the trade, I felt fear. I was nearly so afraid that I couldn't even turn the page. But it's when you turn the page that Matt shows you what it's like to not be afraid. In Soule's words, it's the thesis statement for his run on Daredevil.

The whole thing kind of reads like a spy thriller. Matt is the narrator, but sometimes you're not sure you can trust the things that you're seeing or what he's saying. This makes sense considering Soule is a prose writer for this genre. For those of you that stuck with the title, here's your payoff. I won't spoil it here for you. Read it to believe it. 

Couple more highlights:

Beautiful scene of Mayor Fisk. So many shades of white.

We finished the Back in Black series! It only took...2 years!!

Daredevil: Back in Black Reading List

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Moon Knight Vol. 3 and Daredevil: Back in Black Vol. 6

Daredevil: Back in Black Vol. 6 - Mayor Fisk
by Charles Soule, Stefano Landini, Ron Garney, Matt Milla

No build-up, no teasing. Just a couple panels of exposition, a mayoral inauguration and Kingpin of Crime Wilson Fisk is the mayor of New York City, "like a drive-by shooting." I've believed worse things in comics, so sure, I'll buy it.

In the next twist, the Mayor appoints as his deputy Mayor, who else, Matt Murdock. What follows is something like a cat-and-mouse legal drama, with Matt trying to thwart the Kingpin's moves and the Kingpin spinning whatever story he likes out of the last night's superhero plots. Add in a subplot of the murder artist Muse escaping jail to satirize the Mayor with giant public art, and that's mostly the story.

Ultimately, there's little meaning in whatever mayoral plot there is, because the final issue has The Hand straight up murdering Mayor Fisk with arrows. Or maybe he's not, they don't say, but either way, because of obscure NYC law, the Deputy Mayor succeeds the previous mayor. So just like that, no build-up, no teasing. Welcome Mayor Matt Murdock.

There's definitely a story here, but it's hard to give it weight if you're just going to ninja ex machina your key plotline. While it's entertaining to read, it doesn't amount to more than each issue distracting you with a shiny new whatever to obscure whatever flaws were in the previous issue. The key draw for the next volume is that Daredevil is in custody, while Matt has been appointed to Mayor. Of course I'm already this far...so I'll have volume 7 up whenever I finish it!



Moon Knight Vol. 3: In the Night
by Cullen Bunn, Ron Ackins and German Peralta

Volume 3 is the final collection of the 2014 series and collects issues 13-17. The scripts are great and really expand on the lore of Moon Knight as a priest of Khonshu, and the religion around Khonshu as a God of overnight travellers. 

The art, while a downgrade from previous collections, maintains the style and brevity of the prior artists thanks in large part to the moody colors of Dan Brown.

As for the content, there are some wonderfully unique stories in here. Moon Knight encounters: 1) a group of thieves that "capture" ghosts and sell them for whatever reason buyers buy them for...trophies, conversation pieces, etc 2) an evil dog trainer 3) the bogeyman 4) jetpack kidnapping cultists (what? huh? OK I'VE READ WORSE I GUESS) 5) murdering Khonshu worshippers that try to recruit Moon Knight. They're all separate and standalone but with the overarching theme of...what it means to wear the aspect of Khonshu. My favorite is the dogs one, because Khonshu has been asked by another God to help out with dogs that are being abused. As his agent, Moon Knight of course delivers on the favor and helps explain it to the detective:

Also doggies. Read about the previous two volumes, here:

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Daredevil: Back in Black Volumes 4 and 5: Identity and Supreme

Back in Black Volume 4: Identity
collects issues 15-20
by Soule, Sudzuka, Panosian, and Garney

"Identity" contains two three-issue storyarcs: "The Seventh Day," and "Purple," both very pensive and introspective stories for Matt. As he struggles with the fallout of previous issue, he weighs the "worth" of Daredevil against the pain he inflicts on others. It's all framed as a conversation with a Catholic priest, and the flashbacks and forths between that and Matt's brushes with death leading to a fight with Bullseye, but there isn't very much consequence to it. We don't get to hear how Bullseye came back (From Waid/Samnee's storyarc in DD #25), and Matt easily takes care of Bullseye.

The next storyarc is about Matt's encounter with the Purple Children, and how he got his secret identity back. Color me impressed at this retcon: since the story is from Matt's point of view, he makes for an unreliable narrator, when he recounts to the priest that the details are fuzzy to him. Whether he actually visited ex-lover Kirsten while under the influence of Kilgrave, or whether he dreamed it, for example. It's such a sly, comic book-y way to explain the restoration of Matt's secret identity while being able to leave some details ambiguous.

Sudzuka pencils the first half while Garney pencils/inks the second. I've praised his drawings of Daredevil before, and they're just as good here -- but there are instances where the pencilling is rough and unpolished, but they decided to go with it anyways. Not what I'd expect in a finished Marvel comic book.

I think there was a lot of overwriting to compensate for the flashbacks, which makes this collection weaker. There's a lot of telling rather than showing, and when there are attempts at honoring the transition that Matt's life went through, it's over broad strokes of explanation that do the job, without much of a story. When Matt tells Kirsten that he has to leave, his planet needs him, there's a page spent on Kirsten's reaction. But was it enough?

What I had to do to really come to grips with that resolution, was understand that these stories weren't meant to give us a previous writer's Matt Murdock. If you wanted those, just go and reread those. These comics are meant to give us Soule's Matt Murdock, a man who loves being Daredevil despite the guilt he feels over how it affects the people he loves. A man who swears he has a way to end crime in New York, using his guile with the rules of law. That's the Matt we're going to see, and that's as "true" a Matt Murdock as Mark Waid's Matt Murdock.

Back in Black Volume 5: Supreme
by Soule, Sudzuka, Morgan, Garney, and Milla
collects issues 21-28

Just how frequently is DD being published? There are three (three!) pencillers on the series, and it's been that way ever since Volume 2. It does awful things to the collection, but you wouldn't think it looking at this one. Issues 21-25 tell the story of "Supreme," and are penciled exclusively by Alec Morgan. Think courtroom encounters of the superheroic kind -- Matt's got a plan to get rid of crime in New York, and he uses his position at the A.D.A to do it, court by court, word by word. Each issue is a meticulous step towards the Supreme Court, with superhero action in between. With Soule's law expertise, it really reads like a courtroom drama that happens to have Daredevil, and Alec Morgan's subdued lines let you breathe the story in through the words. Great pairing for this storyarc, with huge implications for the legal world of the Marvel Universe. You can tell Soule put his best work into this one.

Issues 26-28 comprise "Land of the Blind," a three-part action thriller against "The Beast," a mystical creature that gives the ninja clan, the Hand, its power, as well as Tenfingers, from the very first storyarc of Soule's "Chinatown." Blindspot's loyalties are put to the test and, ultimately, he chooses the right thing. It's typical superhero fare, with one wrinkle: Sam Chung (Blindspot) gets on his soapbox for a while to figure the math on the number of geniuses and brilliant people that the American immigration system neglects, illegal or otherwise, explaining the title: "Land of the free? Land of the BLIND," he says. Soule is showing his hand here, wearing his beliefs on his sleeve about immigration. Which I don't mind, Marvel has always had room in their comics regarding social justice topics, so while slightly jarring, it is OK in my book.

BONUS PANEL: Daredevil versus the Hand, in a cool splash-ish-page of dodging ninja stars:

After "Supreme," they folded Daredevil back to its original numbering, and I started collecting the series in single issues. Check it out!

Daredevil #595, "Mayor Fisk" Pt One, Pt Two, Pt Three

Daredevil: Back in Black Volume 3: Dark Art

by Soule, Garney, and Milla

Dark Art collects five issues, 10-14 of the 2015 series. It's a storyarc focused on a supervillain called "Muse," an artist that makes obscene artwork out of his victims. Here's his "bibliography," of sorts:
  1. An abstract mural composed of the blood of over 120 people
  2. A full-studio floor tableau of several Inhumans, murdered doing ordinary things like sitting on the couch and the toilet.
  3. The murder of Tenfingers, from Back in Black Volume 1: Chinatown
Obviously Matt isn't too excited about this, and his A.D.A. life intertwines with his night life, as he's responsible for serving the man whose studio was broken into for exhibit 1. Turns out, the owner is charging admission to see the awful piece of art, so Matt gets to close the studio for public indecency.

Muse seems to have superpowers, able to murder slews of regular people and super-powered Inhumans. To him, he gets to carve immortal lives out of his victims and turn them from people of insignificance to lasting art. It's otherwise a straightforward Marvel superhero story, except Ron Garny and Matt Milla just crush it on the visuals. In atypical fashion, they collaborate for the full five issues, not needing a fill-in artist. This splash page of Muse in the sewers is one of my favorite, for the perspective, the colors, and the linework. It's crazy that each brick is drawn on there.

The stark use of color reminds me of Frank Miller's Sin City, an appropriate tone to set for this darker Daredevil. I love looking at Garney & Milla's Daredevil, a presence of shadows and red boxing gloves/boots. Take a look at this two-page fight between Daredevil & Karnak. Karnak is an Inhuman Lieutenant who has the uncanny ability to "find the weakness in any person or thing," and over the course of this fight the two are trying to figure each other with great narration by Matt. Here is the scene for your pleasure.

In this age of digital comics, it's extremely easy to whip up a cover collage, so I've done that very thing for Dark Art. Together they tell an extremely abbreviated story of Daredevil's struggle with Muse.

Unfortunately, Muse is another member to be added to the revolving door of supervillainy, so you can cross that off your bingo sheet. Another trope to mark off is that someone close to the hero endures a trauma or death, and, in this one, it's Blindspot (Sam Chung, first introduced in Vol. 1: Chinatown) who gets his eyes gouged by the murderer.

Standard superhero fare elevated by the superb art team of Garney & Milla.


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Serials: Daredevil #598, Amazing Spider-Man Annual #41, Spider-Man/Deadpool #27

Amazing Spider-Man Annual #42
by Slott, Smith, Pallot, and Weber
"Bury the Ledes," back-up story "Spider-Sense & Sensibility," and gag page "The Many Costumes of Spider-Man"

It's a throwback to classic Spider-Man as we see Fancy Dan and the Enforcers! They're part of a larger story involving Daily Bugle reporter Betty Brant, her deceased husband Ned Leeds, and an underground mob plot about the (falsified) Battle of "Blood Creek."

Spider-Man plays more of a side character her, where Betty takes the main stage. "Blood Creek" was her husband's story, before he passed away, and so events happen to spur Betty on to finish his life's work. The whole thing comes off as a traditional, play-it-safe, Spider-Man crime story. No character development here, but it's not needed. Slott would be great as an animated series writer for this reason. He's very good at weaving plots together and teasing storylines early. The characters don't need to develop so much as their situations change.

Following is a shorter story about Peter's birthday, and his spider-sense. It has a very charming way to convey spider-sense that makes it worth the read alone.

Capping off the annual is a page of Spider-Man's costumes -- a fun way to look back at years of Spider-Man, and Dan Slott's 10 years there!

Daredevil #598
by Soule, Garney, Milla
"Mayor Fisk"

Man, talk about decompressed! Everybody walks around New York City and contemplates Muse's new art (remember him?) on city buildings, until he makes one of the Punisher.

Cue next issue, except, well, now you have to wait a month. It helps that Ron Garney is back on, but there's a disturbing amount of pages where there's a massive panel of nothing. . . did I really need a half-page of the back of Wilson Fisk's head? Could you have picked a better angle to

At least when Bendis decompressed his stories, he had oodles of dialogue to focus your eyes on. Here it's just tracts of unused space.

Spider-Man/Deadpool #27
by Thompson, Bachalo, and Hepburn
"Area 14" part 1

Reading this issue along with Daredevil just shows me how they're worlds apart. Thompson hands in a creative script that challenges the reader to take multiple reads to "get" it, utilizing both artists to jump back and forth between two different scenes that build on each other, technically and emotionally.

Those last few pages make Deadpool a sympathetic character in a way I've never seen before. Both Bachalo and Hepburn are perfectly suited for this style of storytelling, injecting their visual humor into each page, despite having utterly unique styles. They really squeeze the story out of each page, and this would make a great jumping on point for anyone. (So would last issue!)

This is the best comic book I read this week, if not the best comic book I pick up monthly.

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Daredevil: Back in Black Volume 2: Supersonic and Mockingbird Volume 2: My Feminist Agenda

Daredevil: Back in Black Volume 2: Supersonic
by Soule, Buffagni, Sudžuka, and Milla. Annual by McKenzie and Del Rey

This paperback collects three stories:
  • #'s 6-7: "The Elektric Connection," in which Elektra beats Matt up a ton
  • #'s 8-9: Matt's team-up Chinese casino heist with Spider-Man, in "Blind Man's Bluff"
  • Annual #1: a story with Echo and Klaw, and a backup story with Gladiator.
The fast pace of stories keeps you from lingering on any low point in particular, a welcome break from today's decompressed comics. It struck me how similar to James Bond this book was. Daredevil meets spy thriller in this second volume. Like the way the romance ended abruptly in Casino Royale, Elektra's role in the story ends abruptly when she finds out that she's been mentally manipulated. It's almost a non-story, refreshing to me in that it didn't mince words or panels. In the most obvious nod, like Bond has to win a high-stakes Poker game, like Matt Murdock , a la Casino Royale.

HIGHLIGHT: In "Blind Man's Bluff," Daredevil and Spider-Man take the hydrofoil from Macau to Hong Kong, and Spidey can't help but enjoy himself:

He goes parasailing from the hydrofoil using his webs! (hm, but wouldn't he need a parachute?) And in the next page, he's convinced Daredevil to parasail with him! What a great character moment. Spider-Man acts as this younger brother to Daredevil, quick to joke and adds a lightness to Daredevil's life. When they part, he even warns Matt about the black costume phase: they can really do a number on you, he says. What might normally be considered a nuisance with his wisecracks, he acts as a poignant foil to the darkness in DD's life.

Read more Back in Black:

Mockingbird Volume 2: My Feminist Agenda
by Chelsea Cain and Kate Niemczyk

Chelsea Cain's spy thriller comes to a conclusion in the second storyarc, issues 6-8. Apparently, Hawkeye had murdered the Hulk in the larger Marvel Universe, and Bobbi receives a complimentary ticket to a "nerd cruise" to the Bermuda Triangle, amidst the controversy. Bobbi's offered information from a mysterious stranger that may exonerate her ex-husband (they were married?), leading to a murder mystery in international waters!

The writing is wry and smart, with plenty of snappy dialogue and there are brief humorous, creative asides that move the story. Manny Mederos does backup material, including a "how-to" guide with corgis and yoga, and there's this single-page bird's-eye view of five different cabins, as Bobbi and company assess the murder.

The whole page is a cute teaser with the reader. You can play "where's Waldo" and spot a slew of Easter Eggs (like the corgis in the hall on the right edge!), along with a clue, if you don't get too distracted. I had to re-read it myself to find it! The creators are playing with the format, and it makes for a fun, creative read that evolves the genre. Chelsea Cain, prior to Mockingbird, had never even written a comic book. But you wouldn't know any better otherwise.

Definitely worth a read: this comic's got it all -- superhero intrigue, a smart protagonist, nerd easter eggs, the Bermuda Triangle, and Mercorgis.

My god, Mercorgis.

There's a Mockingbird-centric New Avengers story bundled here, issues 13-14. It too was tied in with another Marvel-wide event, Fear Itself in this case rather than Civil War II. The larger story is that of the New Avengers and their new liaison Victoria Hand, but the focus is on Mockingbird's miraculous revival thanks to a combination of, again, a Super Soldier serum and the Infinity formula. Wasn't this how Bobbi got her powers originally?

Anyways, it is serviceable but pales in comparison to Cain's depiction of Bobbi: where she is generally an agent of her own story, in this one she's a subject to another person's decisions and a bit player in the larger world of the Avengers.

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Serials: Doomsday Clock #3, Daredevil #597


Daredevil #597
by Soule, Landini, Milla

This issue is in two parts: in part 1, Wilson Fisk makes the announcement of his Deputy Mayor, Matt Murdock, who gets adjusted to his new office (he has a stack of backload documents to review -- and he doesn't get them in Braille, he has a reader to , and in part 2, Daredevil (almost) gets taken in by the authorities.

The civilian scenes are woefully under-colored and under-drawn, and the story suffers for it. A street comic like Daredevil deals very well with the stark colors of night and shadows, but during the day, solid colors are used too often to portray the realistic lighting of Matt Murdock's day job. Foggy is jarringly referenced off of Daredevil's Elden Henson, and the occasional panel of Charlie Cox's Matt Murdock and D'Onofrio's Wilson Fisk elicits an uncanny valley that jumps you out of the story.

All said and done, it's a solid serial script, a little decompressed, with enough meat for 20 pages, and a cliffhanger to keep you going. And let's say it's a good thing Ron Garney will be back in 598.

Doomsday Clock #3
by Geoff Johns, Gary Frank, and Brad Anderson

This issue raises more questions then it answers. Where #2's back-matter focused on "The Supermen Theory," a theory that over 97% of metahumans are American because of government-sanctioned experiments, #3's back-matter focuses on the JSA, a team I'm not familiar with too much, so it goes mostly over my head.

Other different scenes play out, between Batman/Rorschach, the Mime/Marionette in a bar, and Comedian/Veidt. It's a setup issue built out of Easter Eggs for fans, so much so that cbr.com is even doing an annotation for the series, if you want to get anything out of it.

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Daredevil: Back in Black Volume 1: Chinatown

Daredevil Back in Black Volume 1: Chinatown
by Charles Soule, Gorun Sudzuka, and Ron Garney 

Did Daredevil have a prior black costume? Ah, he did. There was the red-on-black costume of "Shadowland," and, even before that, the armored costume with red-panels-on-black-undersuit.

I haven't read any of those, so Soule's run marks my first "black costume" Daredevil read. After Mark Waid and Chris Samnee concluded their wonderful DD run, Soule took over from runs on She-Hulk and Death of Wolverine. Daredevil once again went "back in black," to fit in with the tone of the title. Gone was the day of Matt Murdock stopping to smell the unique scents of each strawberry. This Matt's all business, so he wore his business suit.
Soule introduces a couple of major changes to DD's world: Matt as Prosecutor (instead of Defense attorney) and the apprentice of "Blindspot," an (illegal) immigrant named Samuel Chung who wants to protect his neighborhood, Chinatown, in the same way that Daredevil protects Hell's Kitchen. In a bit of social commentary, Sam has created an invisibility suit and dubbed himself "Blindspot," similar to how his community is viewed in society (or not).

The five issues here involve the story of "Tenfingers," a man who escaped from the undead ninja cult, The Hand, and took some of their magic, gaining ten fingers on each hand. It's a neat visual. 

Tenfingers starts a cult in Chinatown, promising the residents answers to their numerous problems and even recruits Sam's mom as a Lieutenant, bestowing on her eight fingers per hand. The creative team places equal emphasis on both the man and the mask, when Matt is responsible for indicting Tenfingers, which eventually fails and requires the mask.

It's a straight super-story from there, with the occasional curveball. You can tell that Soule has places to take Matt to, and it'll be a stylish read with Garney's pencils. It's almost Sin City-esque with its focus on lights and shadows, and sheer color to represent a shape. Check out this page from one of the early issues:
The only way to tell where Matt's shoulder ends is using the color of his shoulder against the background. This man is nothing but black, white, and red all over! And in that second panel Old Man Steve Rogers is nothing but color, with just his boots popping out as red. Matt Milla does a superb job using color to tell a story, and it's great fun to see what he's putting in front.

Read More:

Serials: The Forbidden Pla-Nut pt 1, and more

Amazing Spider-Man #792
by Dan Slott and Ryan Stegman

Dan Slott takes Spider-Man to new places, and sometimes it's a little . . . weird. Flash, as the new "Anti-Venom," strips Eddie Brock of the symbiote, and contains it for safekeeping. Apparently, with Flash, it's like a pet now, so you see Flash cuddling with it in weird ways.

Yeah. The other weird part is Spider-Man's spoken dialogue. There's a lot of parts that just sound strange coming out of Spider-Man's mouth. He comes off as a hyperactive teenager, which Bendis did in a much better way, in Ultimate Spider-Man. It's hard to tell whether these oddities are meant to be humorous, or whether they're a serious evolution for the characters. The cognitive dissonance just makes for a confusing issue

A weaker issue that leads to a confrontation between Spider-Man and Anti-Venom, and Venom-Black Cat.

Daredevil #596
by Charles Soule and Stefano Landini

This issue is an extended chase scene, with the full force of the NYPD chasing Daredevil across the rooftops and the streets of New York. There's a nice surprise at the end with how Daredevil gets out, and a killer cliffhanger. It's a job offer for Matt Murdock that comes out of nowhere, and his response comes out of nowhere as well: he goes all in on the job offer from Kingpin. See, that's why we call him the Man Without Fear -- he doesn't hesitate to know the unknown, and to jump without looking. That's all I need to know, to know that Charles Soule understands Matt Murdock.

It's an exciting place for Matt that makes me excited to see where it goes next!

Another thing I noticed about this, but when you have the comic in your actual hands, it gets real easy to admire the penmanship. Just look at this zipline. The panel cuts it off near the top, but it's crazy to think that it's just a single line that can make you imagine depth and length. It's great.

There's a full page in the first half with Daredevil slinging around NYC, and it's great fun just to follow the lines from his cables. Occasionally there are phone-it-in panels that re-use other panels, but overall good fun.

The Punisher #219
by Matthew Rosenberg and Guiu Vilanova

I was surprised to find out just how funny this book is. There's a wry sense of humor that comes from Frank's interaction with the War Machine's AI. They're both the straight men, with Frank's no-nonsense approach to, eh, murdering bad people, yet still it works. Check out this scene where Frank tries to understand why his machine gun failed to operate:

Frank's operated a plethora of weapons during his time in Vietnam, and surely in his war on crime. You'd think he could operate one that can take voice commands, so it's pretty funny to see that his weapon can talk back now, and tell them when he's using it wrong.

The frame of the story is an old man's farm that's about to be stolen by General Petrov, the bad guy that means to instate military rule over Chernaya, using ill-gotten weapons from S.H.I.E.L.D. His soldiers approach the old man to forcefully take his farm, when Frank butts in to save him. There's at least 3 redonk murders here that are certainly not for the faint of heart.

It's a great microscopic view of the macroscopic story. The old man is an allergy of Frank. He served in multiple wars, and outlived both his wife and children, but the farm allowed him to pretend, to get away from all the fighting. The tragedy of course is that Frank could never pretend. When his armor tells him that there are no remaining threats, and that the conflict is over, Frank gives a chilling "Don't tell me when the conflict is over," and sends a missile to blow up the guys that are retreating. This is a comic that can balance the light and the dark, the funniness from Frank's situation along with the grimness.

Easily the best issue for me this week, a great reflection of Frank's character through allegory (the old man) and foil (the War Machine AI).

The Unbeatable Squirrel Girl #27
by Ryan North and Erica Henderson

A hilarious issue despite all of the infodump provided. Squirrels from the planet Chitt-crrt have accidentally kidnapped Nancy Whitehead, Squirrel Girl's college roommate and Tippy Toe, Squirrel Girl's pet squirrel, in order to discover how SG stopped Galactus from devouring Planet Earth. It's a joke that gets slightly hammered over the head, and then they're distraught when they find out that SG simply -- befriended Galactus! There's this aura of positivity around Doreen Green that lets her do that, and some might even call that a superpower!

There's a bro-ey depiction of the Silver Surfer here, which is, well, different to see, and then SG finds the Sorcerer Supreme (Loki Laufeyson?!) to try to find her friends. It's old-school Marvel team-up in a brand new world.

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Daredevil: Born Again

"DAREDEVIL. Okay? I said it. I said the name.
And he's got ANOTHER name. And it's written down right here. You want it or not?"
What's a name worth? Apparently, a bag of heroin. That's what Daredevil's ex-girlfriend, Karen Page, traded it for, and it was there that Matt Murdock's life went to hell. Today we review one of the greatest Daredevil stories ever written and drawn. Today we review

Daredevil: Born Again
collects Daredevil #'s 227-231
by Frank Miller and David Mazzuchelli

A string of unfortunate events take place to ruin Matt's life -- it starts slowly, at first, and then escalates. The bank loses all evidence of his payments. The IRS freezes his money. He loses power in his apartment, and he loses his law license. The Kingpin has a noose around Matt's neck, and he's slowly tightening the knot. At the end of the first chapter, he even destroys Matt's apartment, which leads to a revelation:
"It was a nice piece of work, Kingpin. You shouldn't have signed it."

Matt's condition deteriorates, and he truly goes mad -- beating a couple of thieves and then a cop, believing that they're all sent by the Kingpin to get him. Then, he has a conversation on the phone, with Foggy:

If there was ever any doubt, now you know, as the reader. Matt's gone off the deep end, and we have no idea how he's going to get out. Matt's in no shape to take on the Kingpin, having just been run over and stabbed by Santa -- yes, Santa CLAUS. But still he does it anyways. The Kingpin's secretary even personally escorts him to the office!

Predictably, the Kingpin destroys Matt. It's a brutal few pages and one of the few times where there's nearly no narration. Each blow speaks for itself, and the Kingpin stages a suicide for Matt in a taxi cab off the pier. But weeks later, they don't find a corpse.
There is no corpse. What is it ABOUT Murdock? He was a MINOR concern -- a promising talent to be observed and cataloged and even occasionally FLATTERED--and perhaps, one day, to be turned to the Kingpin's way --
--but he is MORE than this. Now he is much more than this. He always was. And I--I have SHOWN him...
...that a man without hope...is a man without FEAR.
Amazing monologue. Matt's missing corpse consumes the Kingpin. This story is really made in two halves -- the deconstruction of Matt Murdock, followed by, what else, the reconstruction of Matt Murdock. Only when you destroy a person, strip away all the unnecessary parts of a character, can you see who that person really is. That's what Frank Miller does here with Matt Murdock, and he conveys that so well. Like Matt tells us himself, he has to let go of everything, except for what his dad told him: "Never give up. NEVER."

Matt winds up in a care facility run by nurses, in a church. The woman -- Maggie's her name -- refuses to give up on him, and when he wakes up, her gold necklace is familiar to him. It's memorable to him, one of the first things he touched after the accident that blinded him. It's heavily implied that Maggie is Matt's mom. That maybe she wasn't ready for a child and became a nun after having him, but still she loves him all the same.

In the truest sense, Matt is "born again" in this church, brought back to life in the hands of his mother. It's a figurative Baptism. Under the roof of God, and the care of his mother, Matt regains his strength and gathers his mind again. The "Born Again" issue is the crux of the story, since it's around there that their roles reverse -- while Matt gets stronger, the Kingpin stews in disbelief. He goes so far as to hire the insane soldier, "Nuke," to take a stab at Daredevil.

I won't spoil the rest for you. It's an all-out brawl that turns Hell's Kitchen into a war zone, drawing out the Daredevil and a couple of his super-powered pals. The tense, meticulous plotting of the Kingpin gives way to superhero action! It's catharsis for everything that we've been through in the past issues, and the payoff to what we've been reading.

Born Again is a seminal Daredevil story, and it's easy to see why. Frank Miller put the 'devil through Hell, and we got to read Matt come back from it. Any Daredevil fan would get a kick out of this gritty, thoughtfully written, meticulous story. Highly recommended.

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Serials: Mayor Fisk Pt 1, Squirrel Girl 'Zine Issue

It's the second week in a row for weekly comics for me! Marvel Legacy has done a superb job of getting me back to comics. Before, the idea was that All-New #1's would bring in new readers. As if a new story was a jumping-on point for new readers. Now, they've gone the polar opposite direction! Now, after the four-ish reboots of Daredevil, they've added on all of the previous issues to the original numbering. Now, you feel as if you're reading part of a continuous story, as if you're a part of this history that's been going on.

Daredevil #595
by Charles Soule and Stefano Landini

In a strange twist of fate, Wilson "The Kingpin of Crime" Fisk has become Mayor of New York. I'm sure there was some kind of transition between him, and Mayor J. Jonah Jameson (as seen in Amazing Spider-Man!), but that's not the priority of the story. Immediately we're with wide-eyes Matt Murdock and Foggy Nelson, confused amidst a celebration in Times Square. The idea is that Fisk was a last-minute write-in candidate, who campaigned on "law and order," normalcy, and accountability. Hm, wonder what that reminds you of.

Of course he's referring to super-heroes, but Fisk makes sure to align himself with the "real" heroes, the Avengers and not the street vigilantes like the Punisher and, yes, Daredevil, who leave behind messes for the city to clean up. We're even fed a story from one of Matt's paralegals who lost her car to one of Spider-Man's fights with the Rhino.

This issue serves as setup mostly, with not much to advance the plot. I've been told that Soule has done Daredevil good, so I'll stick around for the storyarc. Landini's pencils are unremarkable, but service the story just fine. I would have liked to see more weight given to the election -- it was a missed opportunity for a story that I'm afraid the writer glossed over.

The Unbeatable Squirrel Girl #26
by Erica Henderson, Ryan North, and more!

The front cover says it's the 'zine issue, and boy is it! Squirrel Girl gets all her friends together to write different stories, so the idea is that each different story is written by a Marvel Comics character. For example, Kraven writes a story titled, "The True Story of Spider-Man," which is immediately followed by a one-page story from Spider-Man, titled "Hey Kraven, Squirrel Girl Showed Me Your Comic, So What the Heck." Hilarious!

There's an incredible amount of content packed into the pages, and I love the idea. The issue has this energetic youth about it, unrestrained by years of comics continuity. The last time I read something like this was probably in Strange Tales, also published by Marvel. It shows you that it's a publishing company not above poking fun at themselves, a tradition established as early as Not Brand Ecch, and just like before they do it with panache.

I love Howard the Duck's story, a 1-pager of him finding a noir-style dame who needs his help. It quickly (d)evolves into a makeout session of increasingly unlikely kissing positions! I just love the idea that this is how Howard thinks of himself -- or at least, how he would like to have his stories turn out -- a quick-witted man's man fowl's fowl, doing whatever he can to save the dames that come his way, resist him as he might.

Every story is a hit here. My other favorites include Kraven's story, and the Jugger-Nut and the Bat-Squirrel (written by Tippy-Toe the squirrel!). So charming!

There are some dastardly clever stories in here too. Loki's two-page splash is set up kind of like a game board, with panels leading yourself towards the center of the page, but there's a brilliant catch at the end of it. Wolverine's story is unique in that it was written by Laura (All-New Wolverine) Kinney, but it's about Logan's (Wolverine's) encounter, with a sentient Sentinel (Sentienel?).

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