by Mark Waid, Emma Rios and J. Rod
by Mark Waid, Kano and Javier Rodriguez
Look at the way Black Cat's legs are wrapped around hornhead. The sexual tension is crazy. I love Kano's depiction of the feet here, for Daredevil.
by John Layman and Rob Guillory
by Brian Michael Bendis, Sara Pichelli with David Messina
by Scott Snyder and Rafael Albuquerque
by Francis Manapul and Brian Buccellato
Just a little sound-effect on the very first page of the issue. Again, I love it when they're hand-drawn, and I think this was the only one in the issue. In fact, it's all the way tucked in the left-hand bottom corner of the page, so I wonder if anyone would even notice it. I love these small details: it shows that the creators really care about the craft.
Look at that last panel! You can see it in his eyes, and in the reflection in his knife. Manny's going to tear up the Flash next time he sees him. This is some excellent drama.
by Warren Ellis and Stuart Immonen
This is an excellent way to frame the shot. You don't need to see Steve Rogers' hair -- just the stern look on his face, and the gun in yours. Steve Rogers wants information and he wants it now.