Cover to cover catch-up: cosmic conflicts in comics

Welcome back to the blog, guys! I'm attempting to clean off my review pile, which includes all sorts of titles from Nova to Uncle Sam and the Freedom Fighters to Detective Comics to Wonder Woman.

Today, we're looking at Nova #1 and Wonder Woman #18. Yes, I really want to start the review at the first issue of Nova, because I think it deserves it, and statistically, a lot of people don't know who he is.

But before we get to Nova, let's chew the fat and review. . .

Wonder Woman #18
by Gail Simone and Bernard Chang

So this issue kicks off Gail Simone's second arc on Wondie.

This was a well-paced issue, but you can definitely tell that Wonder Woman isn't as fun a title as Simone's previous works (Birds of Prey, Secret Six). Simone's hilarious and overexaggerated YABS! articles still linger in my mind.

There's a somewhat annoying part at the beginning of the issue, in which Wonder Woman goes through a courtship ritual with Tom Tresser.

AKA Nemesis.
First of all, I don't know much about this guy, but I did read Picoult's run on Wonder Woman, and from that perspective, Nemesis is an immature child, and I really don't see what Wonder Woman sees in him.

But meh, she probably needs a love interest anyways. I'll give that much leeway to Simone.

Then the alien Khund visit her at the hospital -- TO BEAT HER UP.

Wonder Woman, without any hardship, wins, and I particularly like this panel:

Kho, meet Wonder Woman

This is nice, except this kind of hammers in the fact that Wonder Woman is a generally humorless character. So humorless, that she needs a strong supporting cast to bring in the laughs.

Yes, I really care about the humor, because I know that Simone rocks at it.

Some ANTI-rock would be Bernard Chang. He's an adequate penciller, but I' m really disappointed with the way he draws Wonder Woman:
Wonder Woman 18
Why is she so lanky! I wouldn't expect such a noble and graceful emissary-figure to have such a thin, tone-less body.

And the issue ends with a nice little Green Lantern getting territorial and about to attack Wonder Woman.

Overall, I'm kind of apathetic about this issue. Scant humor, weak art, unfamiliar background (am I supposed to know who the Khund are?) leaves me giving this book a two out of five Wonder Woman groupies.

Nova #1
By Dan Abnett, Andy Lanning and Sean Chen

Bursting from Annihilation as its stand-out hero, the adrenaline rush ends for Richard Rider (AKA Nova), as he must learn to cope with the fact that he's the last standing member of the Nova Corps.

. . .
By kicking some interstellar ass!

He runs across the universe, answering the calls of anyone who needs the Nova Corps., and he saves a planet from its own Doomsday machine.

I should note that Nova still isn't alone. Wired into his suit is the collective knowledge of all Xandarian culture: THE WORLDMIND. While Nova, human, acts occasionally on impulse and emotion-based, Worldmind is set on simple survival and tactics. They're great foils for each other.

In his errand-running, Nova over-exerts himself and --

Nova

At which point he decides to give himself a rest, and return to Earth. Coincidentally, Earth is just recently recovered from a certain Civil War.

See, this is how you launch a new ongoing book. You tie it in fluidly to larger events. At this time, Nova is just emerging from Annihilation, and the next few issues are going to be tangential The Initiative tie-ins.

Now that's smart marketing for a niche-ish book like Nova.

A four out of five grumpy Worldminds. Here's an example of how Nova does sci-fi justice:

NOVA hate bugs

and another:

NOVA AND ALIENS

Fascist Punch of the Day

Because you can't really call it a day. . .

from volume 1: Quiver

. . . until Oliver Queen (Green Arrow) has punched a corrupt politician in the face.

Scan taken from Green Arrow vol1: Quiver, when Oliver was returned to the DC Universe from the dead. Written by Kevin Smith, drawn by Phil Hester and Ande Parks.

NOOOOOOOOOOOOOOOOO-

-ooooooooo-

-ooo-

-oo.

Did you see the solicitation for this month's Green Arrow/Black Canary (issue #7)?????

Green Arrow/Black Canary #8

It says -and I quote- "Art and cover by Cliff Chiang." May I repeat: "by Cliff Chiang."

And have you seen preview pages for this month's Green Arrow/Black Canary?

Birds of Prey 75
I wish I were, Zinda. I wish I were.

The solicits, they lied! I feel so betrayed. Although it is a great twist who the aliens turn out to be. . .

. . . I never got to say goodbye to Mr. Cliff Chiang. Mike Norton doesn't stand a dime up to your Dinah there. It's really disappointing.

Now if you excuse me, I just. . . I just (SNIFF) need to find someplace to, to cry. . .

Keeping in touch with Amazing Spider-Man

It's been one month since I disavowed Brand New Day. That was at the end of Guggenheim/Larroca's arc, at which point I transferred my Marvel subscription, but then there were two more issues left in said subscription.

Amazing Spider-Man

How'd they turn out?

Do my feelings about Brand New Day change?

Am I more willing to accept Peter Parker's regression to a 40-year-old status quo?

What will I have for breakfast tomorrow? Eggs? Boiled or fried?

Brand New Day

Boiled? or fried???

On to the comics. No formal review today, just some thoughts and a couple panels.

THE WRITING
I like Bob Gale. I like that he's having fun with the series, and that fun is genuine. Guggenheim's, on the other hand, sounded forced and distasteful.


Gale creates a writer personality within the comic. He calls himself "Buy 'em all Bob" when he tells us what we missed last issue, and he is constantly poking fun at the editors. It's hilarious.

ASM552

He knows how to have some fun with the bullpen, and it really shows here. If Brand New Day was trying to nail Stan Lee-style humor, then it really started working not with Slott, not with Guggenheim, but with Gale here.

THE ART
Personally, I've griped about Phil Jimenez. The guy has an absolutely horrid rendition of Spidey's head. Spidey has a nose in there, didja know!

ASM552

But he is a master at panelling. He manages to fit so much into the page that I feel like I'm getting more than my 3 bucks' worth.

ASM553

THE BIG PICTURE
My real gripe, though, isn't about the art. It's about (what should be) the biggest aspect in the book: Peter Parker.

He's reduced to nothing but a superhero photographer. What happened to the Peter who was a role model? Where is his character depth? Why is he acting like a teenager again?

Brand New Day

Of course, the answer is, because no one wants to read about a mature Peter Parker.

Or so Marvel wants me to think.

Regardless, Gale and Jimenez deal with Brand New Day very well. The way they're handling it is great. What they have to handle, well, that's a different story.

Waiting for a good place to get back on the Spidey train, but next arc is definitely not a contestant. I absolutely detest Bachalo's pencils. There are no contours to his anatomy, just single curves, and he underexaggerates their bodies, as if they're children. And everyone looks like they're grimacing!

I'm gonna go away now, before my head hits the keyboard out of exasperazzzzzzzzzzzzzzzzzzzzzzzz.

Bird-watching: observations of Simone's writing

For a female, Gail Simone's writing is actually kinda testosterone-charged.

To be sure, this is on the basis that -- on the average -- stories about emotions and relationships are for women, and stories about explosions and fighting are for men -- on the average, may I remind you.

Taking this into account, Simone writes more like a man than a woman. In Secret Six, Birds of Prey and what have you, she's historically written long story-arcs that are plot-driven over character-driven with lots and lots of explosions. Although she never fails to give strong character moments, her stories have a history of big fights and widescreen action.

And truly, there is no greater example than. . .

. . . the Harley-Misfit Saga.

(in four panels)

Misfit fires the opening round with a salvo of --

Misfit's Darrrk Vengeance!

Until everything gets down and dirty!

Misfit fights Harley

Ooh, they're busting out with the low blows now!

Harley v. Misfit

But then the fight gets called on account of ice-goddess-re-emerging-from-the-dead and Rocket-Red-firing-squad-about-to-fire:


We don't exactly know who lost, but we definitely know who won: the fans.

All scans taken from Birds of Prey: Whitewater, which ran from issues 104 to 108. It was collected in a trade paperback called Birds of Prey: Dead of Winter.
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